Nomad’s Land
In Mongolia, the very existence of an avant-garde comes as a surprise.
Mar 1999
In Mongolia, the very existence of an avant-garde comes as a surprise.
Sep 1998
Puppet artists are fully aware of the complexity of their medium: as Mr. Paska has said, they are "out on a limb between the angel and the machine."
Sep 1998
In a society in which art is repressed, it gains in urgency what it loses in visibility.
Aug 1998
In the first North Asian Biennial, work from China, Japan, South Korea and Taiwan raises issues of national identity and tradition.
May 1998
It isn't easy to mount a terrible show in which each piece of art is absolutely fantastic.
Feb 1998
Viola uses technology to blur the distinctions between the visible and the invisible, the abstract and the concrete...
Feb 1997
A profile of the artist Yayoi Kusama.
Aug 1996
On Taiwan, style is ideology. Traditional suggests unification with Beijing; conceptual, independence; oils, the ruling centrists.
Mar 1996
A tale of politically loaded Chinese treasures, angry young Taiwanese, nervous corporate sponsors, and a sudden punch in the face.
Nov 1995
Günther Förg's photos of Moscow are very, very beautiful. This comes as no surprise vis-a-vis Förg, but is really quite astonishing vis-a-vis Moscow.