Articles by Andrew Solomon:

In Xu Bing’s work, words are not superimposed on the detritus of the event; they emerge, instead, as the voids, the literal nothingness on the gallery floor.

Review of the Solomon R. Guggenheim Museum exhibition, “The Third Mind: American Artists Contemplate Asia, 1860-1989.”

Review of “Ballets Russes,” by Dan Geller and Dayna Goldfine.

Review of the Metropolitan Museum of Art exhibition, “China: Dawn of a Golden Age, 200-750 A.D.”

Review of “Arshile Gorky: His Life and Work,” by Hayden Herrera.

Review of “Art Held Hostage: The Battle over the Barnes Collection,” by John Anderson.

Both in his life and in his work, Frank Moore harnessed outrage as an engine of creation and kept bitterness at bay.

The Afghans, with their rich culture largely destroyed, are hungry now for the arts.

From classical painting to bold conceptualism, a far flung culture sprouts an abundance of styles.

Review of “Roland Penrose: The Friendly Surrealist,” by Antony Penrose.